4/26/2011

House Of Wax (1953) ***

Slightly cheesy (mostly because of the contrived 3-D effects - this was the first 3-D feature with stereophonic sound), but fun.
Not terribly different than the original (minus the reporter angle), but you can't top Vincent Price (great makeup!), and this one's even got Charlie Bronson (credited as Charles Buchinski, his birth name).
Of note: why does an 88-minute film require an Intermission...?

4/24/2011

4/23/2011

Hobo With A Shotgun (2011) ****

Ridiculous.
If you like politically incorrect gorefests, this is right up your alley.
And if you dig Hobo, be sure to check out one of my favorite films ever - Street Trash, which is an acknowledged influence.

4/21/2011

Source Code (2011) ***1/2

If you love Moon (like I do), you may still like this, but it's a lot different.
Shades of 12 Monkeys, The Manchurian Candidate, Hitchcock and even Groundhog Day.
I'm not seeing much of a clear definable style from Duncan Jones yet, at least not based on his 2 feature films.
Which is OK...I like diverse directors. I just hope he can continue to make above average films, and possibly some that really stand out, like Moon.
Oh, Jeffrey Wright is awesome in this.

Insidious (2010) ***

Uneven, but good scares.

Amer (2009) ****

Very cool.
Very bizarre.
Virtually every single shot is visually interesting in this film.
The poster is gorgeous as well.

Recommended if you enjoy hypersensitivity, minimal dialogue, extreme close-ups, over-accentuated sound design, Mario Bava, close-ups of eyes, absence of narrative, Gialli, beautiful brunettes, creepy dudes, Alejandro Jodorowsky, "artsy-fartsy" films, fetishistic close-ups of female anatomy in sundresses, David Lynch.

4/18/2011

Scream 2 (1997) ***

Not sure why everyone dislikes this one so much.
I think it's just as good as the original.

4/17/2011

Scream (1996) ***

I used to like this film a lot when it was first released.
I believe I saw it numerous times in the theater and definitely many times on VHS/DVD.
But it's just not as clever as it used to be.
It's still fun, but doesn't deserve more than ***.
In case you haven't guessed, I'm re-watching the first three films before I go see the 4th on Thursday.

4/16/2011

Eyes Of Laura Mars (1978) ***

Neat flick.
Directed by Irvin Kershner (The Empire Strikes Back) and based on a story/screenplay co-written by John Carpenter.
Carpenter is drawing heavily from his love of Giallo here, to the point that if this was filmed in Italy, it would be a Giallo.
If this were directed by an Italian, it feels like it would have been Fulci and not Argento, one of Carpenter's most named-dropped influences, except with more gore.

4/15/2011

The Fugitive Kind (1960) ***1/2 [CC Night #5]

Films based on Tennessee Williams plays or written by him (at least the 5 that I've seen) have a very distinctive feel and this one is no exception.

Recommended if you enjoy elderly invalids with damp exposed chests, warm snakeskin jackets and/or calliopes.

R.I.P Sidney.

4/10/2011

Mesrine: Killer Instinct (2008) ***

So much style, but so little substance.
This film is really just a series of incidents with no real background on any of them.
I did enjoy it, but it wasn't terribly fulfilling.
Great cinematography and score though.

4/09/2011

Taxi Driver (1976) *****

It took me at least 3 viewings of this film to even get to a point where I felt like it was worth all its laurels.
After 2 or 3 more (I lost count), I think it's a masterpiece.
Go figure. Just took a while to set in.

Blu-ray looks and sounds gorgeous.

4/02/2011

Seven Samurai (1954) *****

What more can be said, really...?

Well, one thing - I think the wisest move that the makers of The Magnificent Seven made was to add a heavy "baddie" character (Eli Wallach). It works for that film.

I guess I could say one more thing and maybe some will consider it blasphemous, but I think 7 Sam could have been shorter, probably by about 30-45 mins (it's 3 & 1/2 hours long). Don't get me wrong, it earns it's 5 stars from me; it is and will always be one of the greatest, most important and influential films of all time, but it could have been trimmed. It's definitely easier to just pop in most of Akira Kurosawa's other films (which average at just over 2 hours long).