The World's Greatest Lover (1977) ***

Edgar Allan Poe 'The Raven And Other Stories' (2011) ***1/2

A nice collection of poems and short stories, with excellent illustrations by Sam Kieth. Some of the stories tend to be ultra descriptive and a little tedious to get through, but I tried to bear in mind the time period in which they were written.

Moving The Needle Podcast: Episode 83 - The Mad Ones

Ryan and myself, on behalf of Focus On Film Podcast (part of the Media Meltdown Podcast Network), guested on the Moving The Needle Podcast this week. Please join us as we discuss all four MAD MAX films!

Episode 83 | The Mad Ones

The only movies for us this episode are the mad ones, Mad Max that is. We review the mad max series, talk about every iteration of Mad Max, desire more Max and at the same time maybe one less movie, We never yawn or say a commonplace thing about Mad Max, but burn, burn, burn like fabulous yellow roman candles exploding like CGI (or perhaps practical) spiders across the stars.
This is a thorough, thoughtful, and fun review of the Mad Max series of films, and we hope you enjoy.
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Email: mtnpodcast@gmail.com
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Focus On Film: Episode 29 – August 2015 Criterion Titles

Focus On Film Episode 29 is up!

Topics include Smokey Bear, Tom Hardy and Alex's 12th Birthday Misadventure.

In this episode:

"Focus On Film Theme" & commercial music: Daniel Sardella


The Helio Sequence 'The Helio Sequence' (2015) ****

The previous album was good, but lacking a bit. This one is somewhat of a "return to form" and very strong. Nothing earth-shattering, but strong throughout.


Mad Max: Fury Road (2015) ***1/2

Well this was fun and better than expected. But I think people need to calm down a bit on the hyperbole. Yes, the action was excellent. Yes, the vehicles were cool. Yes, the production design, makeup and costumes were mostly great. Yes, it was a lot of fun. But I have a lot of issues, big and small.

The big: the look. Right from the get-go, I've disliked the look in the trailers and marketing and it's no different in the film. It's too colorful and clean. The reason I love the first two MAD MAX films so much is because they are gritty, dirty and a bit bland-looking (my kind of post-apocalypse). I mean, naturally they had smaller budgets and film stock looked different back then. But there was too much color grading that went on with this new film. Another big issue is the fact that people keep saying that there is very little CG in this film, but this is only partially true. There are a few scenes that are largely CG and I didn't like the look of them at all. And some little bits (like the lizard in the intro) that I just found dumb. The whole film just feels very cleaned-up and digitized.

Speaking of the intro, I didn't really get that into the film until about maybe 20 mins in (after the big sandstorm scene). When the film finally took a breath was when it drew me in. And that's another of my big issues: the film is literally one long car chase (as in the entire film). Even MAD MAX 2 had some more exposition in between all the crazy action. I like my action films with some strong character beats in between the big set pieces. The soundtrack is another big one for me: it was typical cliche crap. Wall-to-wall sound with stereotypical HUGE drums and no motifs. Bored me. There's also a bunch of really stupid scenes featuring a guitarist with a fire-spewing guitar/bass on a vehicle with a huge wall of speakers that I found annoying and unnecessary (although this might be considered a "medium" issue).

The small: Max. I honestly didn't think Tom Hardy brought much to the role. He just felt like he was being Tom Hardy. He has played some great diverse roles in films like BRONSON (his best role yet), LAWLESS (underrated film), THE DROP and LOCKE but here he just felt like a variation of Bane from THE DARK KNIGHT RISES. In particular, I didn't like how much he grunted and his mannerisms. It just didn't truly feel like Mad Max to me.

Speaking of Max, there was a really weak plot point throughout where Max sees dead children (that he could have saved, I guess...?). It's never fleshed out (thankfully, it was annoying) and it's handled clumsily. On that note, I wish that all the characters were more fleshed out, as I feel that out of all the MAX films this one had the greatest opportunity to do so. I can't really complain about this, as character development has never been a strong part of the series (though I'd argue that the first film gave us a nice glimpse into Max's life before he became "The Road Warrior").

Another little issue was the fact that all the characters had great names like Rictus Erectus, Toast The Knowing, The Splendid Angharad, The Dag, Cheedo The Fragile (and many more) that I don't think were ever even uttered in the film (I had to look on IMDb).

Also, there was no memorable dialogue or anything worth quoting in FURY ROAD (and frankly pretty weak dialogue throughout). MAD MAX has several choice lines, mostly uttered but Hugh Keays-Byrne, and MAD MAX 2 has a few as well. Speaking of Keays-Byrne, he has a great look in FR but it felt a bit like stunt casting. He basically sat behind a monster truck and looked menacing with a weird mask. In the first film, his Toecutter (a much more memorable villain) spat verse with equal parts eloquence and theatricality (on par with Rutger Hauer's Roy Batty in BLADE RUNNER). MAD MAX 2's Lord Humungus and Wez stand out more in my mind than any of the villains/henchmen in FR as well.

Again, I had fun. I'd watch it again. But I don't see this going down as a classic like the first two MAX films.


Mad Max Beyond Thunderdome (1985) **1/2

As a non MAX film it's good, very Spielbergian and lots of homages to LAWRENCE OF ARABIA (Maurice Jarre even did the score), but after the first 45 mins when the Peter Pan children get introduced, the film goes downhill and never recovers, even when it tries to throw in a Max-style chase with cool-looking vehicles at the end. Miller should have kept this one as a non MAX film, as originally planned.

My Morning Jacket 'The Waterfall' (2015) ****


Lost River (2014) ***1/2

Gosling goes for Lynch in his directorial debut with mixed results. I liked it... I think I might like it more on a rewatch.