Posts
Showing posts from August, 2016
Young Frankenstein (1974) ***** [Gene Wilder Double Feature Pt. 2]
- Get link
- Other Apps
Willy Wonka & The Chocolate Factory (1971) ****1/2 [Gene Wilder Double Feature Pt. 1]
- Get link
- Other Apps
Willy Wonka : There's no earthly way of knowing...which direction they are going. There's no knowing where they're rowing... Or which way the river's flowing. Is it raining, is it snowing? Is a hurricane a-blowing? Not a speck of light is showing, so the danger must be growing. Are the fires of Hell a-glowing? Is the grisly Reaper mowing? Yes! The danger must be growing. 'Cause the rowers keep on rowing. And they're certainly not showing, ANY SIGN THAT THEY ARE SLOWING! ♫The candyman can♫ Willy Wonka: We are the music makers. And we are the dreamers of dreams.
The Adventures Of Buckaroo Banzai Across The 8th Dimension (1984) ****1/2
- Get link
- Other Apps
Ian Fleming "From Russia With Love" (1957) ****
- Get link
- Other Apps
Focus On Film: Episode 44 – November 2016 Criterion Titles
- Get link
- Other Apps
Focus On Film Episode 44 is up! Download the MP3 HERE Dan & Ryan talk about human seatbelts, resident racists, Tokyo Sandblasts, ex presidents + more! In this episode: November 2016 Criterion Collection Titles Announcement Best & Worst Of The Month – THE MANCHURIAN CANDIDATE (1962), BRIEF ENCOUNTER (1945), IN A LONELY PLACE (1950), SUICIDE SQUAD (2016) Criterion Most Wanted "Focus On Film Theme" & commercial music: Daniel Sardella
Compañeros (Vamos A Matar, Compañeros) (1970) ***1/2
- Get link
- Other Apps
The Manchurian Candidate (1962) ****
- Get link
- Other Apps
It's funny how some of the acting in The Manchurian Candidate is what dates the film and not the actual content/events. That said, most of the acting is superb and most of the shots/editing are as well. I don't understand why Janet Leigh , who is barely in the film and is serviceable at best (she's not given much to work with), is billed before Angela Lansbury , who steals the movie. The subject matter is timeless. A powerful film that still contains moments of shock. Now repeat after me: "Daniel Sardella is the kindest, bravest, warmest, most wonderful human being I've ever known in my life."