THE DANMAN CAN

1.    Osees   Intercepted Message **** 2.    Jessie Ware   That! Feels Good!   **** 3.    The Damned   Darkadelic **** 4.    Alison Goldfrapp   The Love Invention **** 5.    Fever Ray   Radical Romantics **** 6.    The Chemical Brothers   For That Beautiful Feeling  **** 7.    Jaakko Eino Kalevi   Chaos Magic **** 8.    Peter Gabriel I/O  **** 9.    DJ Shadow   Action Adventure   **** 10. Blonde Redhead Sit Down For Dinner  **** 11. The Hives   The Death Of Randy Fitzsimmons   ***1/2 12.  Metric   Formentera II   ***1/2 13.  The Go! Team   Get Up Sequences Part Two   ***1/2 14. Foo Fighters   But Here We Are   ***1/2 15.  Queens Of The Stone Age   In Times New Roman...  ***1/2 16. Allen Epley   Everything ***1/2 17.  Jonathan Bree   Pre-Code Hollyw...

1.   Mew Visuals ****1/2 2.   Fujiya & Miyagi Fujiya & Miyagi  ****1/2 3.   Rainer Maria S/T ****1/2 ( Review ) 4.   Fever Ray Plunge  **** ( Review ) 5.   Quicksand Interiors  **** ( Review) 6.   Spoon Hot Thoughts **** 7.   The Life And Times The Life And Times   **** 8.   Daniele Luppi & Parquet Courts Milano  **** ( Review) 9.   Goldfrapp Silver Eye **** ( Review ) 10. St. Vincent Masseduction   **** ( Review ) 11. Charlotte Gainsbourg   Rest  **** ( Review )   12. UNKLE The Road: Part 1   **** 13. Failure Fantastic Planet Live  **** 14.  Beck   Colors  ***1/2 ( Review ) 15. Queens Of The Stone Age Villains   ***1/2 ( Review ) 16. Primus The Desaturating Seven ***1/2 ( Review ) 17. Electric Six How Dare You  ***1/2 18. The Octopus Project   Memory Mirror  ***   19. John Carpenter Anthology (Mov...

Karin Dreijer dropped her second Fever Ray album, the sexual, political  Plunge  (2017), with basically no notice. A big departure from the first self-titled   FR  album, Plunge  hints at sounds and textures that we've heard from the Ray moniker and her main band The Knife   but here she ventures deeper into "pop" than before (save for maybe "Heartbeats"). Make no mistake though,  Dreijer  is still making music that will never be accessible to the lowest common denominator, whether that's because of the strong lyrical content or because of the abrasive sounds.