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Showing posts from March, 2017

Safe (1995) ****

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I was in the perfect mindset to finally get around to viewing this film tonight, having been sick for about 4 weeks now with a dry cough and at a point in my life where I feel dispassionate and find it hard to truly connect with people.  Moore 's perfectly understated performance,  Hayne 's appropriately flat direction and  Tomney 's moody ambient score make for a powerful film.

Alejandro Jodorowsky "Where The Bird Sings Best" (1992) ****

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Where The Bird Sings Best  (1992) is exactly how I expected one of Jodorowsky 's books to read. As with his films: surrealist, fantastical, absurd—filled with passion, nihilism, beauty, ugliness, poetry, religion, and politics.

Demons (Dèmoni) (1985) ***1/2

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The Love Witch (2016) ***

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The Love Witch   (2016) is visually impressive and fun but it loses steam around the halfway mark and could have easily been 30 mins shorter.

The Guest (2014) ***1/2

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The Gate (1987) ***1/2

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The Void (2016) ***

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The Asphalt Jungle (1950) ****1/2

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RoboCop 2 (1990) ***1/2

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I Am Not Your Negro (2016) ****1/2

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Matchstick Men (2003) ***1/2

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Snow White And The Seven Dwarfs (1937) ****

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Spoon "Hot Thoughts" (2017) ****

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Bicycle Thieves (1948) ***1/2

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Focus On Film: Episode 51 – June 2017 Criterion Titles

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Focus On Film   Episode 51  is up! Download the MP3  HERE Danman and Rygar talk a lot about films they haven't seen, bad movies that are bad, a Glass named Philip + more! In this episode: June 2017  Criterion Collection   Titles Announcement Best & Worst Of The Month  –     DANGEROUS MEN (2005), CONTAMINATION  (1980), MOONLIGHT  (2016), THE YAKUZA  (1974) Criterion Most Wanted "Focus On Film Theme"  & commercial music:  Daniel Sardella

Demon Seed (1977) ***

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The Perfume Of The Lady In Black (1974) ***1/2

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The Lure (Córki Dancingu) (2015) ***1/2

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Mildred Pierce (1945) ****

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The Front Page (1931) ***1/2

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A perfect example of how a "remake" ( HIS GIRL FRIDAY ) greatly improved upon a solid film (this one) by switching one of its lead's gender, amping up the comedy and speed, and how much a top notch director  (and a crackerjack cast) makes a difference. A lot of the dialogue and scenarios are identical in both films but HGF is a classic and while THE FRONT PAGE  ( remade again in 1974 by Billy Wilder ) is a good film (with some pretty great camerawork), it doesn't hold a candle.

Sukiyaki Western Django (2007) **1/2

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His Girl Friday (1940) *****

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One of my top 5 comedies and one of my Top 100 Films . Brilliant performances, dialogue, and direction. Howard Hawks Films Ranked Classic Screwball Comedies Ranked

Wolfen (1981) ***1/2

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La Note Bleue (1991) ***1/2

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Gone With The Wind (1939) ***1/2

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Logan (2017) ****

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Near Dark (1987) ****

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