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Showing posts from May, 2011
Legend (1985) ****
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The colors, production design, cinematography, phenomenal makeup by Rob Bottin (the man ) and overall magicalness are what earn this film four stars, more so than the acting, plot or dialogue (even though I quote a lot of it). Recommended if you enjoy crouching Tom Cruise , heavily prostheticized Tim Curry and/or gothed-out Mia Sara . I'll never get over this crush:
Arsenic And Old Lace (1944) ***1/2
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Finally got around to watching this. One of the few classic Cary Grant films that I hadn't seen yet. Fun, loopy performance from Grant and great direction from Capra . I always love seeing Peter Lorre as well. Amazingly, the only other film I've seen that Capra directed is It's A Wonderful Life . It's interesting how films based on plays, like this one, often actually feel like plays (staging, choice of shots, etc).
Carlito's Way (1993) ****
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Underrated "gangster" film. As far as De Palma goes, I'll take this over Scarface any day. Pacino's Carlito has so much more charisma, spirit and love than Tony Montana. He's also trying to get out of his "business", not rise to power. The tragedy is that he could not escape his lifestyle, no matter how legitimately he tried.
Le Cercle Rouge (1970) ****1/2 [French Gangster Double Feature Pt. 2]
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Le Cercle Rouge (1970) has some interesting parallels w/ Pt. 1 of my French Gangster Double Feature, including one scene that was almost identical. I can only deduce that Le Cercle Rouge and Melville in general must have been influences. This was my second time viewing this film. Just as great as I remembered.
Mesrine: Public Enemy #1 (2008) ***1/2 [French Gangster Double Feature Pt. 1]
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Shock Corridor (1963) ***1/2 [CC Night #6] [Samuel Fuller Double Feature Pt. 2[
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The Naked Kiss (1964) ***1/2 [CC Night #6] [Samuel Fuller Double Feature Pt. 1]
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Recommended if you want to watch pocketbook beatings preceding madam mouths being stuffed with dirty money, cops named Griff who change their tune at the drop of a hat, and/or hookers with hearts of gold that encourage handicapped children to sing creepy songs. *Bonus recommendation - if you like women named "Hatrack".
Murder À La Mod (1968) **1/2
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Parts of this were great, parts were laborious; it would have benefited from being an hour long at most, if not shorter. I see a little Rashomon or The Killing influence, but not executed as interestingly. At times this just feels like typical 60s "experimental" film-making. Not bad for De Palma's first feature length though. I will say this - it looks pristine (this film is included as an extra on the Criterion BD of Blow Out ).