THE DANMAN CAN

Slays. John Boorman Feature Films Ranked

And ya don't stop

"Sloppy with your drink." Michael Crichton Films Ranked

Electric Boogaloo: The Wild, Untold Story Of Cannon Films (2014) is a really fun documentary about the infamous  Cannon Group  that paints a picture of what sounded like a truly unhinged time in cinema history. Several of the films discussed were shown at Weirdo Wednesday  during its  Luna Theater  run, so it was fitting to screen this for Freakout Friday at  The Owl Theatre . Can anyone tell me why 1986's  Cobra  (one of Cannon's best films, in my opinion) wasn't even mentioned though? If you'd like to hear more about documentaries shown at WW, take a listen to Episode Ten of the podcast that I cohost with   Uncle Spooky  and  Lil Spooky .

It's hard to believe that the  Scream   franchise is 30 years old this year and that I've seen every single film in the series in its original theatrical run. I find it humorous the way fans rate/rank some of the films so  much higher than others, and the reasons they point to as to why one film is superior to another just make me chuckle. I guess that's because I think this series is just fine—outside of 1997's  Scream 2 , I don't really love any of them—so my expectations are always firmly kept in check. Anyway, I had fun with  Scream 7   (2026). You can find my reviews of the previous  Scream  films here:  1 ,  2 ,  3 ,  4 ,  5 , 6 Scream  Franchise Films Ranked

Ah,  Re-Animator  (1985), a classic that never gets old. I first saw it at the way-too-young age of 12 or 13 and I've loved it ever since. I've seen (and owned) it on VHS, DVD, Blu-ray, and now 4K UHD. I've seen it badly projected in a conference room at  Rock And Shock . I've seen it well-projected at the  Luna Theater . The 4K UHD release by Ignite Films features an absolutely beautiful transfer. Stuart Gordon 's splatter masterpiece has it all—camp, comedy, and gore galore, plus an indelible performance by  Jeffrey Combs , who gets most of the memorable lines (and delivers them with aplomb). In my opinion, it belongs on everyone's Top 10 Horror list (it's on  mine ). Stuart Gordon Films Ranked

Greetings  Weirdos ! The beloved  Lil Spooky  makes a return to join  Uncle Spooky  and  Demented Danman  as they dive into the strange world of documentaries.  Listen to  Weirdo Wednesday Podcast : Episode Ten  here .     Let us know what topics/films you'd like to hear us talk about!  Follow us  on your favorite streaming platform and on  Instagram . We love feedback and positive reviews too. Don't forget that  Weirdo Wednesday  takes place every Wednesday evening at  Cinema Salem  in Salem, MA at 7:30 PM (tickets  here ). Dates for winter/spring 2026 FFs at  The Owl Theatre  in Lowell, MA are listed below (tickets  here ). Come get Weird with us in both Salem and Lowell! And don't forget to follow Cinema Obscura Salem ( FB  |  IG  |  Submissions ) for updates on the upcoming film fest (April 25th)! WW Podcast Themes  by...

Look lively, you barbecued slab of pork.

"I don't want a cookie." "I can't do the reporting for my reporters, which means I have to trust them. And I hate trusting anybody." "It's a non-denial denial." The benchmark for slow burn political conspiracy thrillers.

"Medusa will always lead you to my kingdom." A truly bizarre, hilarious, schizophrenic, and sexually charged adaptation. It feels like  Argento  is channeling  Gilliam  and  Jeunet  &  Caro  here. Overall, one of Dario's weaker films, filled with some pretty goofy imagery and poor CGI, though the cinematography is nice and honestly its more gonzo elements are part of its charm. The Phantom Of The Opera (1998) has other enjoyable aspects as well—including the lead performances by Julian Sands and Asia Argento , fun gore gags, and a good  Ennio Morricone  score. Dario Argento Films   Ranked Top 20 Directors

It was interesting to rewatch La La Land  (2016) after having now seen The Umbrellas Of Cherbourg   (1964) [ review ], so I could spot all the parallels and references. Though it drags a bit occasionally, I get swept up in the emotions, the colors, and the choreography every time I revisit the film. I still think that the singing musical numbers are the weakest part of the movie, but most everything else is pure gold (particularly the impressive cinematography). There's great chemistry between the leads and the ending is perfect. Damien Chazelle Feature Films Ranked

I really appreciate that  Brian Yuzna  went in a different direction for 1993's  Return Of The Living Dead III  (especially after revisiting  Return Of The Living Dead Part II  (1988) [ review ] a few years ago and being underwhelmed). Its low budget roots show in some of the action scenes and a few of the cheap effects shots, but the gore and makeup on the whole are great. Yuzna brings familiar elements from  Re-Animator  (1985) [ review ] (which he produced) and  Bride Of Re-Animator   (1990) (which he co-wrote and directed) to  ROTLD3  that suit this  Romeo And Juliet  zombie tale well. The comedy is dialed back and the melodrama is turned way up and it works.  Melinda Clarke  really sells her role—you can tell she understood the trauma of the Julie character and she's a total babe.  ROTLD3  only has tangential connections to the original  1985 film  [ review ] and is of...

"Dead sure or dead." The Mechanic (1972) is an economical thriller in satisfying '70s fashion. It's got a superb opening (almost 16 minutes before  Charles Bronson  utters a line of dialogue), assured direction by  Michael Winner  (who directed Bronson in three Death Wish films), an awesome score by Jerry Fielding , and an exciting, action-packed finale (plus a whopper of an ending). Unfortunately, much of the acting (and dubbing) is underwhelming, but it's well lensed and it's a very good, very entertaining film. Michael Winner Feature Films Ranked

Jonathan Demme 's  Married To The Mob  (1988) is one of those '80s comedies that doesn't take itself too seriously and isn't too deep but also isn't dumbed down to the lowest denominator. It's just a fun, cute gangster farce/screwball comedy in the vein of  Some Like It Hot  (1959) ( review ). Mob  has a strong cast featuring a lot of name and character actors in roles of various sizes.  Michelle Pfeiffer  is a joy as Angela, the vulnerable widower of a mafia man who just wants to start over with a normal, honest life.  Dean Stockwell  is charmingly sleazy as over-amorous mob boss Tony "The Tiger" Russo who pursues Angela, despite his territorial wife Connie (wonderfully played by  Mercedes Ruehl ) threatening both of them. Matthew Modine  is genuinely affable as an earnest FBI agent, keeping tabs on Pfeiffer and (naturally) falling in love with her. The score by  David Byrne  is very non-intrusive and the  ...

"Shoot the scene anyway. We don't need sound." "Larry, the next scene is Sgt. Kabukiman delivering the Gettysburg Address." "How can you like this offensive garbage anyway?" "Because it is offensive." "No one is gonna believe that this guy is getting eaten by an escalator if we don't do the closeups of the torso popping open and the organs getting squished!" Lloyd Kaufman Feature Films Ranked

Hell Or High Water  (2016) is a very good film with a nice pace, handsome cinematography, and strong performances. I've seen the picture three times now. It's not quite a home run—the story feels a bit slight and, while I really like the score by  Nick Cave  and  Warren Ellis , I can't get into the soundtrack songs—but there is still much to appreciate and it's got solid replay value.

Despite (or perhaps because of the) juvenile ( Kevin Smith -esque) humor and despite the references to  The Evil Dead   (1981) [ review ],  The Texas Chain Saw Massacre   (1974) [ review ], and  David Lynch  being a bit on the nose, I still really enjoy  Eli Roth 's  Cabin Fever   (2002). A few of the jokes and some of the terms used wouldn't fly if the movie were made today, but there's lots of gory effects to enjoy and laughs to be had at the expense of the mostly douchey characters, and I still find myself quoting some of the dialogue from time to time. I love a good horror comedy, and I find that this one holds up and does a good job of poking fun at genre tropes (while clearly still having an affinity for them). Eli Roth Feature Films Ranked

"Isn't it touching how a perfect murder has kept our friendship alive all these years?" Alfred Hitchcock Feature Films Ranked Top 20 Directors

"Oh, I can't believe it. Not in the Cupid Room!" Alfred Hitchcock Feature Films Ranked Top 20 Directors

"Oh, the Cubans. I love the Cubans. They are so wild!" Alfred Hitchcock Feature Films Ranked Top 20 Directors

"Hot dog. Do they still say that?" Alfred Hitchcock Feature Films Ranked Top 20 Directors

"My colors... They're beautiful, my colors." A malevolent and surrealist folk horror-giallo full of collusion and secrets. Recommended for fans of  Don’t Look Now  (1973) [ review ] ,  The Wicker Man  (1973) [ review ], and  The Perfume Of The Lady In Black  (1974) [ review ]. Giallo Feature Films   Ranked

"No, not the cheese ! The keys !"   Chuck Russell Films Ranked

"Just a little nibble. Just a baby bite." Sam Raimi Feature Films Ranked

"I thought I could stand it if I had to." Alfred Hitchcock Feature Films Ranked Top 20 Directors

"Is your time so empty?" Alfred Hitchcock Feature Films Ranked Top 20 Directors The Danman Top 100 Films (2024 Edition)

🎶 Risseldy, Rosseldy Hey bambassity Nickety, nackety Retrical quality Willowby, wallowby Mow mow mow 🎶 Alfred Hitchcock Feature Films Ranked Top 20 Directors

"Fuck you, Mars." Ridley Scott Feature Films Ranked