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Showing posts from 2026

Monty Python's Life Of Brian (1979) ****

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 "I sometimes hang awake at night dreaming of being spat at in the face." "How shall we fuck off, O Lord? "Out of the door, line on the left, one cross each." Terry Jones Films Ranked

Trouble In Paradise (1932) ***1/2

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"I love you. I loved you the moment I saw you. I'm mad about you. My little shoplifter. My sweet little pickpocket. My darling." Ernst Lubitsch Feature Films Ranked

Hang 'Em High (1968) ***1/2

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"We all have our ghosts, Marshal." "God's got nothin' to do with it." Ted Post Feature Films Ranked

Body Heat (1981) ****

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"You look like Pinehaven." "How does Pinehaven look?" "Well-tended." Lawrence Kasdan 's 1981 debut  Body Heat  is a neo-noir chock full of seductive dialogue, gorgeous compositions, and excellent early performances by William Hurt , Kathleen Turner (in her feature debut), and Ted Danson (who has a few very amusing scenes). Kasdan's sweaty, horny version of  Double Indemnity   (1944) [ review ] is perfect viewing for a 95° summer day.

Bullet In The Head (1990) ***1/2

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"Friends don't have a pecking order." John Woo 's Bullet In The Head (1990) is a very good film overall, but I found it overlong, repetitive, and I wasn't in love with large swaths of the score. It's perhaps Woo's darkest and most downbeat (and certainly most pessimistic) picture. There are some truly affecting moments, with some expertly shot sequences, but it's also haphazard in its construction (kinda feels like three different movies mashed into one). The drama in BITH worked better for me than the action. John Woo Feature Films   Ranked

Lovedolls Superstar (1986) ***1/2

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"What's the matter with you?! You wanna spend the rest of your life living out of a shopping cart?! We could be on top again. We could be drinking champagne instead of Night Train."

Desperate Teenage Lovedolls (1984) ***1/2

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"Here's my card. Johnny Tremaine's the name. Making rock stars is this man's game. You know, I think I see real talent. I almost even see Led Zep. You know, I think I could do for you girls what God did for mankind."

Point Blank (1967) ****1/2

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The 1960s really was one the best decades of film.  Lee Marvin  as Walker is easily one of the most badass characters in any film. The dreamy psychedelic sequences, the jazzy  Schifrin -like score by  Johnny Mandel , the great supporting roles ( Keenan Wynn ,  Carroll O'Connor ,  Michael Strong ,  John Vernon ), the style, the time shifts/jump cuts, the economy of  John Boorman 's filmmaking (only his sophomore film!)—there is so much to savor here.  Point Blank   (1967) was a huge influence on  Steven Soderbergh 's   The Limey   (1999) [ review ] (another favorite film) and was remade, as a lesser but still great film called  Payback   (1999), both based on  Donald E. Westlake 's (writing as Richard Stark) novel  The Hunter   (1962). John Boorman Feature Films Ranked

Stray Dog (1949) ***1/2

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Akira Kurosawa 's ninth solo feature film and third collaboration with  Toshirō Mifune , Stray Dog (1949), is a solid noir police procedure. The film drags a bit in the first half (the pursuit in the second half is more exciting) and sits in the bottom quarter of my Kurosawa rankings, but it's got strong performances (the actors convey the sense of heat quite well) and striking camerawork Akira Kurosawa Films Ranked Top 20 Directors Film Noir Feature Films Ranked

Weirdo Wednesday Podcast: Episode Twelve - Cronenberg Part I

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If you've ever watched a movie and thought, "I wish this had more flesh mutating," then  David Cronenberg  has you covered! Plug in as  Uncle Spooky , Demented Danman , and Lil Spooky  explore the wonderfully bizarre career of the king of body horror—where flesh, technology, and existential dread collide! Listen to Weirdo Wednesday Podcast : Episode Twelve  here .     Let us know what topics/films you'd like to hear us talk about! Follow us on your favorite streaming platform and on Instagram . We love feedback and positive reviews too. Don't forget that Weirdo Wednesday takes place every Wednesday evening at Cinema Salem in Salem, MA at 7:30 PM (tickets here ). Dates for summer 2026 Freakout Fridays at The Owl Theatre in Lowell, MA are listed below (tickets here ). Come get Weird with us in both Salem and Lowell! WW Podcast Themes by Demented Danman WW Logo by Iris Miller FF Owl Poster by Lil Spooky

Life Stinks (1991) **1/2

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To celebrate his centennial, I decided to watch the only  Mel Brooks  movie that I hadn't seen, 1991's Life Stinks .  Trading Places (1983) [ review ] took a similar idea and did it much better.  LS is an uneven film with underdeveloped ideas and characters. It's easy to see why it's his least regarded picture, but there are some good, funny (if non sequituresque) bits in it regardless, and Lesley Ann Warren is charming. Mel Brooks Films Ranked

Hairspray (1988) ****

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Like the film's namesake dance show host,  John Waters ' Hairspray (1988) is (intentionally) corny as hell, but it also has a heartfelt, earnest message about being true to yourself and having pride in who you are. While I prefer my Waters filthy, there's enough oddball outsiders and amusing dialogue to give Hairspray his stamp, and I can't deny the fun, fashion, and killer tunes of his mainstream hit. John Waters Feature Films Ranked

Desperate Living (1977) ****

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I've lived to see  John Waters '  Desperate Living   (1977) restored in 4K (and it looks great!). I first paid a visit to Mortville when I bought a VHS tape of the film in the late '90s. DL is slightly less offensive than JW's opus, 1972's  Pink Flamingos  [ review ] but just as much fun.  Divine 's presence is sorely missed.  Mink Stole  almost makes up for his absence by stealing every scene she's in (including  one of the best line deliveries ever in any film , in a movie jam-packed with priceless dialogue), but  Edith Massey  gives her a run for her money. I love the  Dreamlanders  and I love this picture. A trashterpiece. John Waters Feature Films Ranked

Siege (1983) ***1/2

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Siege (aka Self Defense ) (1983) is a taut and lean, mean and downbeat thriller. A simple and singular picture with a gritty realism and an eerie synth score, Siege is a cool little Canadian genre gem. Recommended for fans of Assault On Precinct 13 (1976) [ review ], Vigilante (1982) [ review ], and Green Room (2015) [ review ].

Summer Rental (1985) ***

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Carl Reiner 's Summer Rental (1985) is light on plot but full of lighthearted fun, with plenty of laughs from the always lovable John Candy  (and Richard Crenna makes a great foil). Carl Reiner Films Ranked

The Plumber (1979) ***1/2

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I'm me babe I'm free babe Peter Weir Feature Films Ranked

The Cars That Ate Paris (1974) ***1/2

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One of  Stanley Kubrick 's  93 favorite films and an influence on  George Miller 's  Mad Max  (1979) [ review ],  Peter Weir 's cult feature debut, The Cars That Ate Paris (1974) concerns the secrets surrounding the strange inhabitants of a small town. A surreal slow burner building to a violent, frenetic finale. Recommended for fans of  The Wicker Man  (1973) [ review ] , Calvaire (2004), and Eddington (2025) [ review ]. Peter Weir Feature Films Ranked

Four Times That Night - US Theatrical Cut (1971) ***

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Mario Bava ’s Four Times That Night (1971) is a visually inventive, if obviously problematic, sex comedy and very much a product of its time. Bava's comedic take on  Rashomon  (1950)—while certainly not one of his best efforts—features fantastic  production and costume design and solid performances. Mario Bava Feature Films Ranked

Macabre - International Theatrical Version (1980) ***

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A lusty and tragic psychological thriller full of obsession, manipulation, and melodrama, Macabre (1980),  Lamberto Bava 's solo directorial debut, is a bit a slow burner, but it's beautifully shot, features a tense, hypnotic score, and good (if appropriately over the top) performances—all building to an explosive and disturbing finale. Lamberto Bava Films Ranked

The General (1926) ****1/2

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 Marking its centennial this year, The General remains an impressive and amusing action comedy and Buster Keaton 's defining film.

Audition (1999) ***1/2

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"Everyone in Japan is lonely." More than a quarter century on,  Audition   (1999) doesn't pack quite the same punch that it did when I first saw it, but it's still a very good film with a level of reserve and depth—touching upon loss, longing, the Japanese patriarchy, and child abuse—lacking from some of director  Takashi Miike 's other work. While I understand it's intentional (in order to lull the audience), barring a few jarring scenes starting at the 43-minute mark,  Audition  is a very slow, ordinary drama (in both look and tone) until its final, unforgettable act. I get that the build-up approach is necessary and makes the ending that much more shocking (at least the first time), but I think there are other films that do the "slow burn to a crazy climax" thing just a bit better. However, those last 35 minutes really are something—hallucinatory, revolting, disturbing, but, at times, beautifully and dramatically shot. "To live means to appro...

Explorers - Home Video Cut (1985) ***

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"And we didn't even get to tell you the secrets of the universe." Joe Dante 's Explorers (1985) is a goofy but charming sci-fi adventure featuring the (cinematic) film debuts of Ethan Hawke and River Phoenix . It's uneven, the characters are underdeveloped, and much of the comedy falls flat (no shade on Robert Picardo ), but it's hard to deny the earnestness and the fun production design and makeup effects (by Rob Bottin ). Joe Dante Feature Films Ranked

Mystics In Bali (1981) ***1/2

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"Hendra, we might be the first ones who dared to kiss among all these skulls." "My hunch is that you are a very dangerous human being." "You're an amazing girl, Cathy. Even in a state of pain you can still smile." "I will only borrow your head to perfect my knowledge."

Day Of The Dead (1985) *****

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Romero 's best film.  Savini 's best effects work. Bleak. Prophetic. The perfect zombie movie. George A. Romero Feature Films Ranked The Danman Top 100 Films (2024 Edition)